please inquire . The "Betts" is among the most legendary violins from Stradivari's workshop. The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. 86-87 Wimpole Street London, Sign up to receive Carteggio features directly. Suite B Campbell, CA 95008 (408) 879-9930 . violins@hebberts.com, Laurent Bourlier (III), Mirecourt, c.1820. Article. The shop thrived for another 20 years before finally closing in 1867, having firmly linked the family name with some of the worlds greatest instruments. It is of a good Stradivarian model with quite rudimentary antiquing to the varnish. 2023 Fine Fretted String Instruments. John Betts violin label. Read Less. We have sent you an email. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. Please follow the link to confirm your registration. It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. By 1781 he was working independently and hired . Betts was very careful in selecting and preparing his wood, and his craftsmanship is equally precise. Next to him is Gregg Alf. 130 High Street,
Here is a picture of the 2011 Oberlin Workshop participants. London Users should consult the bibliographic information that accompanies each item for specific information. The Betts Stradivarius violin was the focus of the workshop. He was a pupil of Richard Duke, and, in the few instruments made by himself, showed that he had imbibed much of Duke's lore. For auction updates, special offers and news please sign up to our mailing list. Photograph (Form). Betts, No. The "Ward" acquired its name from J. In 1781 he established his own workshop. It's questionable how many violins John Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. To be able to use Corilon violins in full range, we recommend activating Javascript in your browser. Submit button. Betts Workshop Violin, London circa 1820. Whoever he was, he didn't know what he had, and accepted Arthur Bett's offer of one Guinea. Intl: +44 207 175 1737
With such an incredible team in the workshop, John Betts was free to focus on importing some of the finest Italian violins for sale. John Betts. This violin was part of an event in conjunction with Cremona Mondomusica in New York city in March of 2013, called "Stradivari vs. the Modern Violin". We use this information to help choose the woods used and to guide us in the making of accurate copies. Berlin, 10719 Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. The 2010 project was to make a copy of the "Ole Bull" Guarneri violin, which was finished in 2011 . London This violin has been purchased, and donated to the Library of Congress. Please login to continue. Germany, Email: info.berlin@tarisio.com The workmanship is solid and sober, without being refined and artistic like the work of Betts' master. London, Violin - 1730, "Goldberg-Baron Vitta", Viola by Antonio Stradivari, Cremona, 1690, "Tuscan-Medici", Violin by Antonio Stradivari, Cremona, 1704, "Betts", - Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you. He came to London to work for Richard Duke in Holborn in 1765. While these craftsmen produced a very important body of work, particularly the cellos which have become highly sought-after, Betts greatest importance was as a violin expert. It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. He . - The auction record for this maker is $61,875 in Nov 2001, for a cello. His instruments reflect the same care and artistry admired in the cremonese masters. London, England c. 1790-1810 Length of Back: 36.0 cm Upper Bout: 16.1 cm Middle Bout: 11.0 cm Lower Bout: 20.0 cm Certificates on file: Bein & Fushi 1984 William Lewis and Son 1957 There was problem sending your activation email, please contact us. The Oberlin violin makers workshop has been in operation for fifteen years. The height of the two f-holes varies, which might be explained by a technique that Stradivari used. Violin by Antonio Stradivari, Cremona, "Betts". John Betts London. In turn his workshop influenced the leading makers of the day to look towards increasingly detailed copying of Cremonese masterpieces, assisted to a great extent by his relationship with Vincenzo Panormo, an Italian maker working in London. If you are interested in purchasing one of the instruments, contact Chris Germain. The one inserted into the violoncello just referred to reads : These cookies cannot be disabled and you cannot use the website without them. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. He made his own instruments as well as collecting and trading the work of old masters. Web.. Retrieved from the Library of Congress, . His shop employed many of the best contemporary makers, including Joseph and Lockey Hill, and later Vincenzo Panormo and Bernard Simon Fendt. You already have a Tarisio account. Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. Article. Not consenting or withdrawing consent, may adversely affect certain features and functions. Tel: +44 (0) 20 7354 5763 The Library of Congress would like to learn more about these materials and would like to hear from individuals or institutions that have any additional information or know of their history. Established 1982 Tel: 020 7249 9398 . Betts was a talented maker himself and also employed some of the most talented English makers of the period, including . Stamped Betts / Royal Exchange / London. , circa 1790Cello, John Betts Tel: +49 30 9404 5443, Terms of Use Article. London, W1G 9RL 43883.00. In the last year, they spent several months painstakingly putting back together my severely damaged 1790 John Betts cello. Here is a picture of John Waddle playing the Betts. This website uses cookies to ensure that we give you the best user experience. Because of his great knowledge of the history of violin making, Betts was an excellent copyist. Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. Betts instruments tend to exhibit very high standards of . photograph | 16 photographs : color | Photograph (Form). Login or Register for a FREE account to gain full access to our library, John Betts Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. Using a carefully selected matching top, back, neck and scroll carved by Steve Rossow on his CNC machine directly from computer files generated from CT scans of "the Betts" violin, the Oberlin Betts copy was completed by the class as a group project to the point of being playable but without varnish. The violin is an absolutely stunning Nicol Amati copy. Other modern violins also did well. In about 1820, an individual entered Betts' shop at the Royal Exchange in London and offered the violin in its pristine state. The front is two pieces of straight grained spruce and the varnish is a beautiful reddish-brown typical of the best English instruments of the period. Betts Workshop Violin, London circa 1820. Close. Marketing cookies are used to track the effectiveness of advertising, to provide more relevant services, and to deliver better ads that suit your interests. The "Betts" is one of Stradivari's finest works--marking the beginning of what is described as his golden period. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. Betts was a violinist, teacher, and violin dealer. Photograph (Form). Violins and Violin Makers Biographical Dictionary of the Great Italian Artistes, their Followers and Imitators, to the present time. John Betts, Violin, c.1790, London. The workmanship and varnish have much the same . He came to London to work for Richard Duke in Holborn in 1765. John Betts (1752-1823) In 1765, around the age of 13, John Betts made the 160 kilometer journey to London from his hometown of Stamford. Professional violin, to quote a veteran Gypsy style player. Fax: +1 212 202 4660, Tarisio London Using the same digital computer files generated by Steve Sirr, and used to make the parts for the violin made in Oberlin, Steve Rossow has carved Stradivari's archings into the new top, and back, and Stradivar's original shapes of the neck neck and scroll on his CNC machine. It was he who established the great Betts workshop in Holborn's Royal Exchange around 1782. The violin is in exceptional original condition. Sam Zygmuntowicz was in charge of the neck and scroll, and is shown here putting the final touches on the neck. . It remained a treasured part of Betts' collection, but after the death of his son in 1852, the violin came into the hands of Hills of London and then a succession of distinguished owners. (b Stamford, Lincolnshire, 1752; d London, 1823) One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. The workmanship and varnish have much the same characteristics the latter being, as a rule, of a tint which is a shade warmer than the varnish of Duke. Inscribed inside the top in the upper treble bout are the words: The Betts / Stradivarius; in the lower treble bout the inscription reads: Purchased from / the duchess / of Camposelice / by W. E. Hill & Son / March 1892. The history of the Stradivarius violin, now known as "the Betts", up to the early 1820's, is completely unknown, but it was at that time that an unknown person walked into the violin shop of Arthur Betts and his nephew, with the violin and offered it for sale. In 1781 he was established there independently and in the following year he moved to the Royal Exchange, where he remained for the rest of his career. John Betts came from Stamford, Lincolnshire, and came to London in 1765 to apprentice with Richard Duke, rising to become the shop foreman after seven years, and eventually buying the business from Duke's daughter, reforming the company under his own name by 1781. . Here is a picture of Raymond Shryer smoothing the top for the Betts copy with a scraper. The Betts Stradivarius violin was the focus of the workshop. Over the course of its history the shop produced a large range of instruments, from inexpensive models with painted purfling to some of the most exquisite Stradivari and Guarneri copies in the history of British violin making. A sheer joy to play! Here is a vioiin being scanned. Highest auction price achieved. We offer buyers and sellers a bespoke private sale service, sourcing exceptional instruments and bows and matching them with the most discerning buyers Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow to recommend an auction estimate and reserve price for your instrument or bow Tim Ingles and Paul Hayday will offer an initial evaluation of the authenticity and value of your instrument or bow. The Library of Congress is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. Article. We were allowed to play it. photograph | 20 photographs : color | Photograph (Form). Company number: 9889926. The technical storage or access that is used exclusively for statistical purposes. Not surprisingly, the nephew thought the violin should belong to the firm, but Arthur claimed that since he bought it with his own money, (one guinea) it was his. He used two or three different labels. Bow maker / Violin maker. Below, Chris Germain (shown on the left) is the director of the workshop and has a violin shop in Philadelphia, PA.. John Montgomery takes care of the instruments in the Library of Congress, and has a violin shop in Raleigh, North Carolina. Violin maker. The violin in the photo above has been sold. By 1920, the "Betts" was owned by R. D. Waddell of Glasgow. One of the great advantages to having a dealership in conjunction with a workshop is that the makers had access to all sorts of beautiful and important Italian instruments to copy. Songs and Music. , circa 1814Violin, John Betts This violin was, with the "Castelbarco" cello of 1697, once a part of the quartet of Stradivaris owned by Count Cesare Castelbarco of Milan. Kemp Hall Passage,
Article. Please get in touch for more details about this beautiful English violin for sale by Arthur and John Betts. photograph | 35 photographs : color | Photograph (Form). Here is a picture of the 2011 Oberlin Workshop participants. Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. Italian instruments to London, and was partly responsible for the ascent of, Sales Tax (New York, London and Berlin Sales), Panormo The life and work of Vincenzo and his sons Latest research, new biography, 22 instruments and bows, LSO Digital Exhibition, Violins of the LSO Violin Festival. Users may need to contact The Strad for any re-use of the articles. Betts Workshop Violin, London circa 1820. As on the "Tuscan-Medici" viola [see below], the top under the fingerboard is not varnished in an area extending down 5.5 cm from the neck foot. The Betts violin was the focus of the 2011 Oberlin Workshop, and John Waddle, Steve Sirr, and I were excited to have renowned makers such as Gregg Alf, Chris Germain, Bill Scott, Raymond Shryer, and Sam Zygmuntowicz join us in working on a group project creating a copy of the Betts, using a top, back, neck, and scroll that I had carved using CT . Violin - He was born in 1752 in Stamford and died in 1823 in London. John Betts was born in Stamford, England, in 1752. Email (*) Message (*) Enter Captcha. What a good looking bunch!
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